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The expression of Chinese identity in Hong Kong martial arts films leads to the development of a new genre of Chinese cinema. The genre was one of depicting a specific form of Chinese identity in the 1930s and 1940s, as well as the creation of Chinese cinema as a new medium in the early 1950s.[7] It was a new co-existence of different Chinese identities, which also reflected the unique aesthetic sense of the Chinese filmmakers. The tendency to create a new and distinct Chinese identity in the 1950s is a reflection of the different aesthetic and cultural experiences that had taken place in the previous decades. The political systems, modernisation and urbanisation also led to the creation of a new, distinct Chinese identity. By contrast, the film industry in China, which was also influenced by a new urbanisation, led to the formation of a distinct Chinese film culture. The two Kung Fu movies and other kung fu movies, as well as Chinese cinema, can thus be viewed as a specific form of Chinese identity in the 1930s and 1940s. Both film forms had their own aesthetic and cultural practices that were distinctive to the time, and are important aspects of Chinese cinema.
Chinese martial arts films began to flourish in the 1940s and 1950s, and were different from traditional kung fu cinema. According to Jiang Xiaojun, the traditional Chinese martial arts used in the 1930s were primarily rooted in the ancient Chinese heritage, and were not composed of many modern elements. To a certain extent, the kung fu film movement became a product of the new cultural and political environments, and was the reflection of an attempt to reflect modern culture in traditional Chinese culture. The traditional Chinese martial arts, such as qigong and xingyi quan, were not popular in the 1930s and 1940s. The lack of popularisation of the traditional martial arts was not only because they were not considered modern and progressive. It is also related to the lack of popularity of traditional Chinese culture and art in the 1920s and 1930s. In those times, many young people began to explore and discover modern Chinese culture and art, which led to the discovery of the modern martial arts. Young people also started to practise modern sports, which led to the creation of a new modern martial arts.
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